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<title>Afro-American Studies Faculty Publication Series</title>
<copyright>Copyright (c) 2013 University of Massachusetts - Amherst All rights reserved.</copyright>
<link>http://scholarworks.umass.edu/afroam_faculty_pubs</link>
<description>Recent documents in Afro-American Studies Faculty Publication Series</description>
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<title>THE MYTH OF AUNT-JEMIMA - REPRESENTATIONS OF RACE AND RELIGION - ROBERTS,D</title>
<link>http://scholarworks.umass.edu/afroam_faculty_pubs/67</link>
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<pubDate>Fri, 21 Jan 2011 02:12:14 PST</pubDate>
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<author>Tracy, SC</author>

<source>AMERICAN LITERATURE</source>

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<title>Worrying the line: Black women writers, lineage, and literary tradition.</title>
<link>http://scholarworks.umass.edu/afroam_faculty_pubs/66</link>
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<pubDate>Fri, 21 Jan 2011 02:02:12 PST</pubDate>
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<author>Tracy, S</author>

<source>STUDIES IN AMERICAN FICTION</source>

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<title>Putting the blue, black, and red in the red, white, and blue: Langston Hughes and the emergence of the blues in American literature</title>
<link>http://scholarworks.umass.edu/afroam_faculty_pubs/65</link>
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<pubDate>Fri, 21 Jan 2011 01:52:29 PST</pubDate>
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<author>Tracy, SC</author>

<source>FOREIGN LITERATURE STUDIES</source>

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<title>Putting the Blue, Black, and Red in the Red, White, and Blue:Langston Hughes and the Emergence of the Blues in American Literature</title>
<link>http://scholarworks.umass.edu/afroam_faculty_pubs/64</link>
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<pubDate>Fri, 21 Jan 2011 01:42:59 PST</pubDate>
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<author>Tracy, SC</author>

<source>PROCEEDINGS OF THE INTERNATIONAL CONFERENCE ON THE 20TH-CENTURY AMERICAN POETRY</source>

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<title>Remember when indians were red: Bob Kaufman, the popular front, and the Black arts movement</title>
<link>http://scholarworks.umass.edu/afroam_faculty_pubs/63</link>
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<pubDate>Fri, 21 Jan 2011 01:33:20 PST</pubDate>
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<author>Smethurst, J</author>

<source>CALLALOO</source>

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<title>Dawnsong! The epic memory of Askia Toure</title>
<link>http://scholarworks.umass.edu/afroam_faculty_pubs/62</link>
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<pubDate>Fri, 21 Jan 2011 01:24:36 PST</pubDate>
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<author>Smethurst, James E.</author>

<source>AFRICAN AMERICAN REVIEW</source>

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<title>&quot;Don&apos;t Say Goodbye to the Porkpie Hat&quot;: Langston Hughes, the Left, and the Black Arts Movement</title>
<link>http://scholarworks.umass.edu/afroam_faculty_pubs/61</link>
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<pubDate>Fri, 21 Jan 2011 01:15:49 PST</pubDate>
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<author>Smethurst, James E.</author>

<source>CALLALOO</source>

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<item>
<title>&apos;Pat your foot and turn the corner&apos;: Amiri Baraka, the Black Arts Movement, and the poetics of a popular avant-garde</title>
<link>http://scholarworks.umass.edu/afroam_faculty_pubs/60</link>
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<pubDate>Fri, 21 Jan 2011 01:05:52 PST</pubDate>
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<author>Smethurst, James E.</author>

<source>AFRICAN AMERICAN REVIEW</source>

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<title>Beyond the color line and the Iron Curtain: Reading encounters between black and red, 1922-1963</title>
<link>http://scholarworks.umass.edu/afroam_faculty_pubs/59</link>
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<pubDate>Fri, 21 Jan 2011 00:49:08 PST</pubDate>
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<author>Smethurst, James E.</author>

<source>COMPARATIVE LITERATURE</source>

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<title>Wrestling with the muse: Dudley Randall and the broadside</title>
<link>http://scholarworks.umass.edu/afroam_faculty_pubs/58</link>
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<pubDate>Fri, 21 Jan 2011 00:38:25 PST</pubDate>
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<author>Smethurst, James E.</author>

<source>JOURNAL OF AMERICAN HISTORY</source>

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