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Author ORCID Identifier
N/A
AccessType
Open Access Dissertation
Document Type
dissertation
Degree Name
Doctor of Philosophy (PhD)
Degree Program
Hispanic Literatures & Linguistics
Year Degree Awarded
2016
Month Degree Awarded
May
First Advisor
Margara Russotto
Subject Categories
Arts and Humanities
Abstract
This investigation proposes to explore relationships between politics and literature within the framework of three decades (1970-2000) that include a particularly dramatic period in Chilean society: the dictatorship of Augusto Pinochet (1973-1990) and the later transition to democracy (1988-2000). Such exploration focuses on the narrative genre, a form well suited to show the perverse effects of the censorship and the destruction of public and private life under the dictatorship, but also a form that converts itself into a symbolic space in which takes place, upon the transition back to democracy beginning in 1988, an explosion of important Works that characterize the so called “rebirth of the word.” The investigation pursues the following objectives:
- Describe the effects of the censorship and repression in the field of literature during the dictatorship of Pinochet and the techniques and strategies developed by writers and artists to combat the forced silence, which resulted in the rise of literary creativity during the transition period.
- Describe a group of recurring themes which reappear in the novels published in the decade of 1990-2000 with the objective of showing the surge in literary production as well as the predominant fictional themes, and to provide context for the ascendance of the two main authors of this study: Diamela Eltit (1949-) and Alberto Fuguet (1964-)
- To study the works of Diamela Eltit and Alberto Fuguet, considered two of the most important writers of the post-dictatorship, by way of a comparative analysis of their seemingly opposite narrative works that take place in the year 1980: Lumpérica (1983) by Diamela Eltit and Mala onda (1991) by Alberto Fuguet.
- Examine the variables that explain the return to the novel as the preferred genre during the Chilean post-dictatorship: the political liberation, the economic stability, the machinery of publication, the globalization, the purchase of books, and the new narrative voices with their powerful literary projections. In this way, arrive at some tentative conclusions extracted from the results of this investigation.
DOI
https://doi.org/10.7275/8289674.0
Recommended Citation
Silveri, Robert, "CALLAR Y REVELAR DOS NOVELAS EXTREMAS DE LA TRANSICIÓN CHILENA: ENTRE LA CENSURA Y LA RECONQUISTA DE LA PALABRA" (2016). Doctoral Dissertations. 689.
https://doi.org/10.7275/8289674.0
https://scholarworks.umass.edu/dissertations_2/689