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Submissions from 2001

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The scene of the crime: Imagining nature at the millennium, Camilla S Humphreys

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Transatlantic convergence of Englishness and Americanness: Cultural memory, nationhood, and imperialism in twentieth century modernist fiction, Ymitri Jayasundera

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"Gulliver's Travels": A journey through the unconscious, Nasir Jamal Khattak

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The geography of silence: Women in landscape in Thomas Hardy's fiction, Charles David Lowe

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Writing colonial history in post-colonial India, Deepika Marya

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Recovering ground: Poetic strategies for placing oneself, Robin Amelia Morris

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The development of the modern fantasy novel, Holly E Ordway

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"I'm not the boy for you": Images of African American male homosexuality, Angelo DeWayne Robinson

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The evolution of gender -neutral language: Can fathers mother?, Donald Nathan Stone Unger

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'So-easily-vanquished skirmishers': A study of individuals within systems in the work of Randall Jarrell, Sherri Lynn Vanden Akker

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Ruined bodies and ruined narratives: The fallen woman and the history of the novel, Amy L Wolf

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Writing her way: A study of Ghanaian novelist Amma Darko, Louise Allen Zak

Submissions from 2000

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Tracking modernity: Writing the rails of empire, Marian Ida Aguiar

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Re-mapping female space: The politics of exhibition in nineteenth-century women writers, Chih-Ping Chen

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From madwomen to Vietnam veterans: Trauma, testimony, and recovery in post-colonial women's writing, Maureen Denise Fielding

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Speaking our truths: Literacy, sexuality and social change, Zan Meyer Goncalves

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Making the modern critic: Print-capitalism and national identity in seventeenth-century England, Barclay Everett Green

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Conjured bodies, trickster voices: Transforming narrative, history, and identity in the literature of slavery, Suzanne Therese Lane

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Whiting out the news: Governmentality, discourse and nation in newsmedia representations of the indigenous peoples of Australia, Goldie Osuri

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Individualism, community, and democracy: Melville's critique of liberalism in the later novels, Juro Otsuka

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Having something to say: Invention in writing and the teaching of writing, Karen J Phillips

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The intentional turn: Suicide in twentieth -century U.S. American literature by women, Kathleen O Ryan

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Caryl Phillips, J. M. Coetzee, and Michael Ondaatje: Writing at the intersection of the postmodern and the postcolonial, Renee Therese Schatteman

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The later evolution of Trollope's female characters, Karen Kurt Teal

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Bubonic plague in English Renaissance utopian literature, Rebecca Carol Noel Totaro

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Theorizing Asian America, Lingyan Yang

Submissions from 1999

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Containing the Amazon: Archetypal relocations of Joan of Arc, Meredith Albion Clermont-Ferrand

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Breaking English: Postcolonial polyglossia in Nigerian representations of Pidgin and in the fiction of Salman Rushdie, Gillian Gane

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Art and argument: The rise of Walt Whitman's rhetorical poetics, 1838--1855, Andrew Charles Higgins

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Dreaming the unspeakable: Hemingway and O'Brien's soldier narratives and the traumatic landscape, Lisa Simone Kingstone

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Defining the British national character: Narrations in British culture of the last two centuries, Barbara S Kono

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Elizabeth Bishop and Carlos Drummond de Andrade: Verse/universe in four acts, Maria Lucia Milleo Martins

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Persephone in Taos: A refutation of misogyny in D. H. Lawrence's new world fiction, Carole A Schuyler

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Shakespearean loss: Mourning interminable, Lynne M Simpson

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Resisting privacy: Problems with self -representation in journals and diaries, Andrea Stover

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Raising the mongrel standard: Epic hybridization in Joyce, Rushdie, and Walcott, Pennie Jane Ticen

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Shakespeare's remedies of fortune: The fate of idealism in the late plays, Philip W White

Submissions from 1998

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Postnational feminism in Third World women's literature, Hena Zafar Ahmad

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The body of knowledge: The object of learning. Epistemophilia and the desire for self, Catharine Gabriel Carey

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"Divide the living child in two": *Adoption and the rhetoric of legitimacy in twentieth-century American literature, Jill R Deans

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``Unhampered child of liberty'': Modernity, representation and American Jewish women, 1890--1930, Deborah Fairman

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Inhabiting the flesh: Trauma and the body in twentieth-century women's autobiography, Janis Jean Greve

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eX-centricities: A geo/graphics of self-re/presentation in the autobiographics of Dorothy Allison, Minnie Bruce Pratt, and Kim Chernin, Connie D Griffin

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Women writing race: Toni Morrison, Nadine Gordimer, Jean Rhys, Alice Knox

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An Collins (fl. 1653): Mistress of religious verse, Mary Eleanor Norcliffe

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Composing the family: A reading of "Bleak House", "Wives and Daughters", and "Daniel Deronda", Kay A Satre

Submissions from 1997

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``Private colonies of the imagination'': Power and possibility in Thomas Pynchon's ``V.'', ``The Crying of Lot 49'', and ``Gravity's Rainbow'', Alan William Brownlie

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Roads to take when you think of your country: American epic poems by women, Jenny Goodman

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Race marks: Miscegenation in nineteenth-century American fiction, Kimberly Anne Hicks

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Beyond gender: Constructing women's middle -class subjectivity in the fiction of Wharton, Austin, Yezierska, and Hurston, Phoebe Susan Jackson

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Bastardizing the bard: Appropriations of Shakespeare's plays in postcolonial India, Parmita Kapadia

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Why would you read this? *Education in a visual culture, Gordon Frazier MacLachlan

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The unrecalled past: Nostalgia and depression in the middle novels of Willa Cather, Dix McComas

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Defiant odalisques: Exoticism, resistance and the female body in nineteenth century fiction, Piya Pal-Lapinski

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Suffering and sacrifice in the major poetic works of David Jones, Margaret E Smith

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Academic women and writer's block: Mapping the terrain, Martha Trudeau Tucker

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The fallen woman in the Victorian novel: Dickens, Gaskell, and Eliot, Margaret C Wiley

Submissions from 1996

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A bilateral study of the roles of writing in a baccalaureate nursing program, Elizabeth Ann Caldwell

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College writing and the resources of theatre, Timothy John Doherty

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Liminality in the works: The novels of Charles Chesnutt, Susan Jane Doyle

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Islands and transformation: An archetypal pattern in Western literature, Edward John Federenko

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Four approaches to Marvell's ``Upon Appleton House'': Poetic patterns, estate lands, retirement of a hero, and education of a young woman, Asheley Randolph Griffith

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Sigrid Undset and Willa Cather: Literary correspondences, Sherrill Martin Rood Harbison

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Writing selves: Constructing American-Jewish feminine literary identity, Joan M Moelis

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Sentimental sensibility in the emerging artist: Yeats, Joyce and Proust, Laura Jane Ress

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``Now my lot in the heaven is this''. A study of William Blake's own acknowledged sources: Shakespeare, Milton, Isaiah, Ezra, Boehme, and Paracelsus, William Garfield Wall

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A ``contour portrait of my regenerated constitution'': Reading nineteenth -century African American women's spiritual autobiography, Martha Louise Wharton

Submissions from 1995

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Magical thinking in Shakespeare's tragedies, Marina Christi Favila

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Caryl Churchill: The Thatcher years, Janet Elizabeth Gardner

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The lure of the land: Ethnicity and gender in imagining *America, Iping Joy Liang

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To dream the American dream: American success narratives at the turn of the century, Elena Harriet Sharnoff

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Standing on holy ground: The sacred landscapes of Annie Dillard, Kathleen Norris, and Frederick Buechner, Elizabeth Z. Bachrach Tan

Submissions from 1994

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Philomela's tapestry: Empowering voice through text, texture, and silence, Judith Segzdowicz Chelte

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Representing the Biblical Judith in Literature and Art: An Intertextual Cultural Critique, Peggy L. Curry

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The hero's quest for identity in fantasy literature: A Jungian analysis, Lisa Stapleton Melanson

Submissions from 1993

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The individual and self -destruction in Renaissance drama: The examples of Marlowe, Shakespeare, Tourneur, and Ford, Pompa Banerjee

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Ethnic women's literature and politics: The cultural construction of gender in early twentieth-century America, Carol Jeanne Batker

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Children of Legba: African-American musicians of the jazz age in literature and popular culture, Thomas Fletcher Marvin

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``It strikes home'': Documentary constructions of the American family in the Great Depression, Roxanna Pisiak

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``A vice for voices'': Emily Dickinson's dialogic voice from the borders, Erika Christina Scheurer

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The posthumous editing of Ernest Hemingway's fiction, Susan M Seitz

Submissions from 1992

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Mothers of pearl: An historical and psychoanalytic analysis of single mothers in literature, Maureen Buchanan Jones

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Necessary illusions: Biography and the problem of narrative truth, William W. Kimbrel

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Existentialism and writing: A multi-critical approach to John Fowles, Najat Sebti

Submissions from 1991

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Sarah Orne Jewett and spiritualism, Nancy Rita Kelly

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American literature and the rise of management: From the mill girls, Emerson, Thoreau and Melville to Rebecca Harding Davis, Bellamy, Twain and Frederick Taylor, Michael William Munley

Submissions from 1990

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The development of computer -aided composition software and its implications for composition, Paul Joseph LeBlanc

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Victorian fantasy literature and the politics of canon-making, Karen Ann Michalson

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Marion Harland: The making of a household word, Karen Manners Smith

Submissions from 1989

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Ideal structures in Hrothgar's {\it R\ae d}, Cynthia Ann Balcom

Submissions from 1988

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The matrilineage of Emily Dickinson, Martha Ackmann

Submissions from 1987

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"SOMETIMES SUPPRESSED AND SOMETIMES EMBROIDERED": THE LIFE AND WRITING OF ELIZABETH ROBINS, 1862-1952 (ENGLAND; SUFFRAGE), JOANNE ELIZABETH GATES

Submissions from 1986

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VERA BRITTAIN: WRITING A LIFE (PACIFISM), RITA MIRIAM KISSEN

Submissions from 1985

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GODDESS, FAIRY MISTRESS, AND SOVEREIGNTY: WOMEN OF THE IRISH SUPERNATURAL, ROSALIND ELIZABETH CLARK

Submissions from 1983

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WARS AND RUMORS OF WARS: THE ENGLISH NOVEL AND THE SECOND WORLD WAR, CLAIRE ANN HARRIS HOPLEY

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THE SUBVERTED FLOWER: THE LIFE OF ELINOR WHITE FROST AND HER INFLUENCE ON THE POETRY OF ROBERT FROST, SANDRA LEE KATZ

Submissions from 1981

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ROBERT COOVER AND THE LITERATURE OF DREAM TIME, PAMELA JANE MAJOR

Submissions from 1980

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THE CONDITIONS, CONSEQUENCES, AND STRUCTURE OF DIRECT DISCOURSE IN "BEOWULF": A STUDY OF SPEECH ACTS, LESLIE COOPER PERELMAN

Submissions from 1979

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SWIFT AND LANGUAGE THEORIES., VIRGINIA GRANT MCGOVERN

Submissions from 1978

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THE CHARACTER OF DINADAN IN MALORY'S "MORTE DARTHUR" AND HIS SOURCES., JULIA LATHROP SCANDRETT