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<title>English Department Faculty Publication Series</title>
<copyright>Copyright (c) 2013 University of Massachusetts - Amherst All rights reserved.</copyright>
<link>http://scholarworks.umass.edu/eng_faculty_pubs</link>
<description>Recent documents in English Department Faculty Publication Series</description>
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<lastBuildDate>Fri, 25 Jan 2013 20:39:47 PST</lastBuildDate>
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<title>Why Deny Speakers of African American Language a Choice Most of Us Offer Other Students?</title>
<link>http://scholarworks.umass.edu/eng_faculty_pubs/8</link>
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<pubDate>Wed, 16 Dec 2009 07:02:57 PST</pubDate>
<description>
	<![CDATA[
	<p>Mainstream teachers commonly invite mainstream students to freewrite and use very informal language for early and mid drafts of important academic essays--and hold off surface editing till the end.  This amounts to inviting mainstream students to do lots of writing in their spoken vernacular--and to wait till the end to edit into a clearly different dialect:  edited ("correct standard") written English.  This essay argues the same approach for speakers of African American Language--and addresses objections.</p>

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<author>Elbow, Peter</author>

<source></source>

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<title>Voice in Writing Again: Embracing Contraries</title>
<link>http://scholarworks.umass.edu/eng_faculty_pubs/7</link>
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<pubDate>Wed, 16 Dec 2009 07:02:56 PST</pubDate>
<description>
	<![CDATA[
	<p>"Voice in writing" has fallen into a kind of limbo as a topic:  it's vexed;  it's discredited by most composition scholars;  it's not much written about recently;  and yet it remains widely used by readers, teachers, and writers.  I examine good reasons for paying lots of attention to voice when we read and teach writing;  and also good reasons for ignoring it.  And finally insist that we can usefully do both.</p>

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<author>Elbow, Peter</author>

<source></source>

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<title>Vernacular Literacy</title>
<link>http://scholarworks.umass.edu/eng_faculty_pubs/6</link>
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<pubDate>Wed, 16 Dec 2009 07:02:55 PST</pubDate>
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	<![CDATA[
	<p>How our present culture of literacy serves to exclude many many potential writers--and why changing that culture is a sensible and feasible goal</p>

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<author>Elbow, Peter</author>

<source></source>

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<title>The Believing Game--Methodological Believing</title>
<link>http://scholarworks.umass.edu/eng_faculty_pubs/5</link>
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<pubDate>Wed, 16 Dec 2009 07:02:53 PST</pubDate>
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	<![CDATA[
	<p>A defintion of the believing and doubting games;  a thumbnail idealized history of believing and doubting; and three arguments why we need the believing game.  Paper given 4/08 at annual CCCC.</p>

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</description>

<author>Elbow, Peter</author>

<source></source>

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<item>
<title>Coming to See Myself as a Vernacular Intellectual</title>
<link>http://scholarworks.umass.edu/eng_faculty_pubs/4</link>
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<pubDate>Wed, 16 Dec 2009 07:02:52 PST</pubDate>
<description>
	<![CDATA[
	<p>A short essay taken from remarks at the annual 2007 convention on getting the Exemplar Award.  I look back over my career as an ongoing attempt to democratize writing--operating from the stance of a "vernacular intellectual" (a concept coined by Grant Farret).</p>

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<author>Elbow, Peter</author>

<source></source>

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<item>
<title>A Unilateral Grading Contract to Improve Learning and Teaching [co-written with Jane Danielewicz]</title>
<link>http://scholarworks.umass.edu/eng_faculty_pubs/3</link>
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<pubDate>Wed, 16 Dec 2009 07:02:51 PST</pubDate>
<description>
	<![CDATA[
	<p>Regular grading is a problem for many reasons--but most of all because it so often harms the climate for teaching and learning.  In this essay we describe and explain a contract grading system that we have found extremely beneficial to teaching and learning.  It's a hybrid system.  Students are guaranteed a B if they do all the things laid out in the contract.  The teacher gives evaluative feedback as usual, but no teacher judgment can endanger the guaranteed grade.  Grades higher than B, however, depend on teacher judgments of writing quality.  The central leverage lies in designing a set of activities that--if engaged in over fourteen weeks--will get all students to improve enough to deserve a B.</p>

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</description>

<author>Elbow, Peter</author>

<source></source>

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<title>The Music of Form</title>
<link>http://scholarworks.umass.edu/eng_faculty_pubs/2</link>
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<pubDate>Wed, 16 Dec 2009 07:02:50 PST</pubDate>
<description>
	<![CDATA[
	<p>The concept itself of "organization" tends to be biased towards a picture of how objects are organized in space--and neglects the story of how events are organized in time.  I’ll explore five ways to organize written language that harness or bind time.  In effect, I'm exploring form as a source of energy.</p>

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</description>

<author>Elbow, Peter </author>

<source></source>

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<title>Exploring Problems With “Personal Writing” and “Expressivism”</title>
<link>http://scholarworks.umass.edu/eng_faculty_pubs/1</link>
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<pubDate>Wed, 16 Dec 2009 07:02:50 PST</pubDate>
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<author>Elbow, Peter </author>

<source></source>

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