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Abstract
The Passing Show, examines the interface between contemplative practices and the destabilizing effect of the carnivalesque. A repurposed early 20th century merry-go- round is reconfigured as a conceptual vehicle for renewing our attention to removing hindrances. The site-specific installation, titled Vimoksha, is viewed through the lens of the radical imaginary, investigating notions of karmic inheritance through a heuristic approach to material processes, personal history, kinetics and sound.
Type
openaccess
article
thesis
article
thesis
Date
2022
Publisher
Degree
Advisors
Rights
License
http://creativecommons.org/licenses/by-nc/4.0/