Theses from 2012
"Speak to me in vernacular, doctor": Translating and Adapting Tirso de Molina's El Amor Médico for the Stage, Sarah A. Brew
A Design Concept For The Lighting Of HELL IN HIGH WATER By Marcus Gardley, Jessica M. Greenberg
Dramaturg as Artistic Instigator, Megan J. McClain
Costume Design for The Winter's Tale by William Shakespeare, Erin A. White
Theses from 2011
Freedom in Structure: Life Inside The House of Bernarda Alba, Toby V. Bercovici
A Process of Design: The 25th Annual Putnam County Spelling Bee, Dennis R. Berfield Mr.
Dramaturging Contemporary Feminism(s): A Festival of New American Plays by Women, Emily E. Denison
The Twenty-Fifth Annual Putnam County Spelling Bee: A Lighting Artist's Approach, Jonathan D. Hicks
A Design Concept for the Lighting Design of Federico Garcia Lorca's The House of Bernarda Alba, Thaddeus L. Kramer
“What Country Friends Is This?”: Creating Shakespeare’s Twelfth Night Onstage, A Director's Journey, Dawn Monique Williams
Theses from 2009
Staging Through Rituals: Directorial Exploration of The Imaginary Invalid, Dora A. Arreola
Dressing Cultures: Costume Designs For Pericles, Heather L. Crocker-Aulenback
Pericles A Journey Into Foreign Lands, Shawn LaCount
The Trestle at Pope Lick Creek: A Play in Production, Aaron J. Schmookler
Maryse Conde's Early Plays: An English Translation of "God Gave Him to Us..." and "The Death of Oluwemi of Ajumako", Liana J. Thompson
Theses from 2008
C.D. Grabbe's Hannibal: A New Translation for the American Stage, Margaret L. Inners
The Dramaturgy of Dialect: An Examination Of The Sociolinguistic Problems Faced When Producing Contemporary British Plays In The United States., Talya A. Kingston
Costumes for "The Magic Flute", Composed by W.A. Mozart, Libretto by Emanuel Schikaneder, Sarah P. Nelson