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Theses from 2012

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"Speak to me in vernacular, doctor": Translating and Adapting Tirso de Molina's El Amor Médico for the Stage, Sarah A. Brew

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A Design Concept For The Lighting Of HELL IN HIGH WATER By Marcus Gardley, Jessica M. Greenberg

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Dramaturg as Artistic Instigator, Megan J. McClain

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Costume Design for The Winter's Tale by William Shakespeare, Erin A. White

Theses from 2011

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Freedom in Structure: Life Inside The House of Bernarda Alba, Toby V. Bercovici

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A Process of Design: The 25th Annual Putnam County Spelling Bee, Dennis R. Berfield Mr.

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Dramaturging Contemporary Feminism(s): A Festival of New American Plays by Women, Emily E. Denison

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The Twenty-Fifth Annual Putnam County Spelling Bee: A Lighting Artist's Approach, Jonathan D. Hicks

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A Design Concept for the Lighting Design of Federico Garcia Lorca's The House of Bernarda Alba, Thaddeus L. Kramer

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“What Country Friends Is This?”: Creating Shakespeare’s Twelfth Night Onstage, A Director's Journey, Dawn Monique Williams

Theses from 2009

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Staging Through Rituals: Directorial Exploration of The Imaginary Invalid, Dora A. Arreola

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Dressing Cultures: Costume Designs For Pericles, Heather L. Crocker-Aulenback

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Pericles A Journey Into Foreign Lands, Shawn LaCount

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The Trestle at Pope Lick Creek: A Play in Production, Aaron J. Schmookler

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Maryse Conde's Early Plays: An English Translation of "God Gave Him to Us..." and "The Death of Oluwemi of Ajumako", Liana J. Thompson

Theses from 2008

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C.D. Grabbe's Hannibal: A New Translation for the American Stage, Margaret L. Inners

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The Dramaturgy of Dialect: An Examination Of The Sociolinguistic Problems Faced When Producing Contemporary British Plays In The United States., Talya A. Kingston

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Costumes for "The Magic Flute", Composed by W.A. Mozart, Libretto by Emanuel Schikaneder, Sarah P. Nelson