Off-campus UMass Amherst users: To download campus access dissertations, please use the following link to log into our proxy server with your UMass Amherst user name and password.
Non-UMass Amherst users: Please talk to your librarian about requesting this dissertation through interlibrary loan.
Dissertations that have an embargo placed on them will not be available to anyone until the embargo expires.
Author ORCID Identifier
Open Access Dissertation
Doctor of Philosophy (PhD)
Year Degree Awarded
A. Yemisi Jimoh
African American Studies | American Popular Culture | Christianity | Women's Studies
From 1997 to 2013, there have been multiple representations of the black church in popular culture. African American artists have always explored spirituality within black communities; in the late 20th and early 21st centuries, however, the increasing fame of Tyler Perry, T.D. Jakes, Steve Harvey, and other prominent African American Christians has placed black church culture on the center stage of American mainstream media. This dissertation examines contemporary black Christian popular fiction, stage performances, black church films, and rap music. These representations demonstrate that black church culture is distinct from secular black popular culture and white evangelical Christian culture. The construction of these texts has proven the power of black consumers, created a space for a greater diversity of roles for black actors, and revived a black counter-public who actively debates representations of spirituality and sexuality in black church culture texts. Contemporary representations of the black church engage in a sexual discourse that upholds heteronormative, patriarchal values which are consistent with evangelical interpretations of Christianity.
Daniel, Rachel J., "RESURRECTION: REPRESENTATIONS OF THE BLACK CHURCH IN CONTEMPORARY POPULAR CULTURE" (2014). Doctoral Dissertations. 174.