Person:
Rus, Alin

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PhD candidate
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Rus
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Alin
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Anthropology
Social and Behavioral Sciences
Social and Cultural Anthropology
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  • Publication
    Intangible Heritage and Social Change: A Romanian Example
    (2012-01-01) Rus, Alin
    In this article we shall emphasize the nature of intangible heritage of a rural ritual based on a case study from a village located in the East of Romania. The ritual considered here is a sitting down event – a cultural form frequently practised in the respective community seven decades ago. This ritual is revived by the villagers with the support of the County Center for the Preservation and Promotion of Traditional Culture Iași and of the Local Mayor’s Office, by the active involvement of the local leaders. The thesis of this article is that in the practice of intangible heritage there are also other motivations apart from the remuneration incentive which should mobilize the members of a community to act together in view of the promotion of their intangible heritage. We will also argue that the criterion of authenticity of the ritual is fulfilled as long as this form of intangible heritage of the rural communities from today’s territory of Romania is reconstructed based on the representation from the collective memory of the community and is revitalized by the active involvement of a group of villagers from the locality. This assertion remains valid even when it is about a ritual which was no longer practiced in that community for almost seven decades. Thus, the practice of the respective ritual comes in agreement with the ideas stipulated in the 2003 Convention for the Safeguarding of Intangible Cultural Heritage, which underlies “the importance of the intangible cultural heritage as a mainspring of cultural diversity” and its important role in “enriching cultural diversity and human creativity.”
  • Publication
    LABOR MIGRATION AND INTANGIBLE CULTURAL HERITAGE IN POSTSOCIALIST RURAL ROMANIA
    Rus, Alin
    The processes of industrialization and modernization, as well as those emerging from them, have produced radical changes in the lifestyle of the peasantry. These transformations went hand in hand with the degradation of community lifestyle and of the customs it contained. Among the many rituals performed by rural communities, this dissertation focuses on mummers' plays. The present paper is an attempt to outline a brief history of mummers' plays beginning with an age when they were simple community rituals and going to the recent decades when they entered a rapid decline, and when state institutions together with international organizations such as UNESCO introduced projects meant to safeguard them. Based on an extensive field research in Iași County, Eastern Romania, where peasant customary communities are still active today this dissertation takes a path different from most of the peasant studies that preceded it. It focuses on peasant mummers’ plays in two rural settlements and scrutinizes them in relation to the peasant economy and the peasant system of values specific to the rural universe. It analyzes their role in cementing peasant social networks and their contribution to the dynamic of peasant communities and culture. At the same time, this dissertation embraces a global perspective and observes closely the transformation of rural customary communities' forms of culture under the great transformations inflicted during the last seven decades by modernization and the advent of modern forms of entertainment (sports competitions, TV, internet, computer games). Being more appealing to people, these have replaced mummers’ plays in the human consciousness despite mummers' success in small-scale agricultural societies throughout centuries. Nevertheless, of all the realities produced by the Industrial Revolution, international labor migration has proven to be the most corrosive, leading not only to the erosion of rural customary communities but also of their forms of culture such as mummers' plays. These transformations of rural culture have become very visible and have been observed by folklorists, state authorities, and the peasants themselves. Unfortunately, the methods implemented for safeguarding rural culture are not always appropriate to the rural culture intended to be safeguarded, or to rural communities themselves. At least in the former communist countries of Eastern Europe, the methods most often used to patrimonialize mummers' plays have been folklore festivals (Cash 2012). Far from being perfect tools, these festivals involve political, economic, and power relations to which peasants are always subordinate. The close follow-up of these processes shows that, just as peasants take the path of cities in search of better resources, their traditions, too, migrate to the cities through three processes: festivalization, urbanization, mass-mediatization. Thus, peasants' rituals like mummers' plays turn into simple consumer items devoured by spectators through TV broadcasts and Facebook-like social networks. I used the Bourdieuan symbolic violence concept to show how, by participating in such festivals, the peasants themselves not only become the victims of an external aggression directed against their own culture but also active agents of this transformation and of the processes that lead to their subordination. In contrast to this type of patrimonialization, accompanied by symbolic violence, the dissipation of peasant culture through international labor migration has actually spread this culture across all the major cities and countries of the world. Through the story - a companion of human life and culture for millennia, people living in peasant cultures become involuntary agents of safeguarding rural culture in general and mummers' plays in particular and make their traditions cross the borders of the small rural locality where they were born, to finally become transnational cultural forms. Employing a series of anthropological methods and strategies - ranging from historical analysis, archive study, participant observation, unstructured interviews, life histories, to visual methods such as filming, taking pictures of winter rural rituals, and photo elicitation, I aim at analyzing and understanding a “social arena” (Bourdieu 1993) mined by the ambiguities and ambivalences of peasants’ commitments and apprehensions concerning the promotion/practices of intangible cultural heritage forms. Simultaneously, I aim at understanding the way intangible cultural heritage is produced, promoted and contested in a postsocialist landscape of inequalities, the restructuring of the old community values, and the intensive labor migration to Western Europe, dramatically depleting the local peasant populations and the social fabric where such rituals used to be anchored in the past.