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Abstract
An American singing prodigy escapes to Russia following the death of his bandmate and stays after his last close relative – his mother – dies. It’s the late 1990s and he’s found a new home. After a decade in obscurity he makes a comeback by joining a Russian musical collective, but when they embark on a tour during the events in Crimea in 2014, accusations swirl about his past as a democracy promoter for a U.S.-funded NGO in Vladivostok. Condemned by the media as a spy, he’s eventually denounced by Rokko – the man who rediscovered him, mentored him, and became his best friend – a hybrid like him, someone with a toehold in both Russian and American cultures. He returns to the U.S. where he is also viewed warily, for he responds to criticisms of Russia by encouraging a nuanced understanding of the country at a time when there’s no patience for it. He is left without the one thing he’d always searched for: a home.
Type
Thesis (Open Access)
Date
2019-05
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Degree
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Karaoke_at_the_train_station_thesis_with_edits.docx
Microsoft Word XML, 503.96 KB
- Embargoed until 2029-06-01
auto_convert.pdf
Adobe PDF, 1.26 MB
- Embargoed until 2029-06-01
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Embargo Lift Date
2024-05-10