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DOI

https://doi.org/10.7275/0c3q-9d71

Biographical Information // Informations biographiques

Kristal Buckley AM is a Lecturer in Cultural Heritage at Deakin University in Australia, and works as a World Heritage Adviser for ICOMOS. Her research focuses on international heritage systems, and practices and the integration of natural and cultural heritage.

Dr Leticia Leitao is an independent consultant working with cultural and natural heritage. She has coordinated several projects for IUCN, ICCROM and ICOMOS (the three Advisory Bodies to the World Heritage Committee) focusing on capacity building and interlinkages between nature and culture. Currently, she coordinates the adaptation of the Enhancing our Heritage Toolkit, a management effectiveness methodology for World Heritage properties, a joint project between the Advisory Bodies and the UNESCO World Heritage Centre. Trained as an architect, she pursed her doctoral work at the University of Edinburgh, where her research focused on the protection of World Heritage settlements and their surroundings. She also holds an Executive Master in Public Administration with the London School of Economics.

Dr Nora Mitchell is Adjunct Associate Professor at the University of Vermont in Historic Preservation and her current research interests focus on the relationship of culture and nature and the implications for landscape conservation of World Heritage Sites and other heritage places. She is an Honorary Member of the ICOMOS/IFLA International Scientific Committee on Cultural Landscapes and a member of its Working Groups on Naturecultures Integration and World Rural Landscapes, and also a member of the IUCN-WCPA Specialist Group on Protected Landscapes/Seascapes. In her 30-year career with the U.S. National Park Service, she worked with parks on community-based conservation strategies for complex landscapes with multiple values.

Dr Maya Ishizawa is an independent heritage specialist. Trained as an architect in Lima, Peru, she received a Master of Media and Governance from Keio University, Japan, and a Ph.D. in Heritage Studies at BTU Cottbus-Senftenberg, Germany. Maya coordinated the capacity building programme of the UNESCO Chair on Nature-Culture Linkages in Heritage Conservation,University of Tsukuba, Japan (2015-2020). She works as a consultant for the ICCROM- IUCN World Heritage Leadership programme, serves as scientific coordinator of the ICOMOS/IFLA International Scientific Committee on Cultural Landscapes (ISCCL), and she is a curator of the PANORAMA Nature-Culture Thematic Community.

Jessica Brown is Executive Director of the New England Biolabs Foundation, a private, US-based foundation, whose mission is to foster stewardship of landscapes and seascapes and the biocultural diversity found in these places. She has extensive experience with community-based conservation globally, having worked in countries of Africa, Asia, the Caribbean, Mesoamerica, Andean South America, Central Europe and the Balkans. Jessica chairs the Protected Landscapes Specialist Group of IUCN’s World Commission on Protected Areas and is a member of the ICOMOS/IFLA International Scientific Committee on Cultural Landscapes. She chairs the board of Terralingua and co-chairs the Global Conservation Program of the Biodiversity Funders Group. She is associate member of the Graduate Faculty of Rutgers University (Cultural Heritage and Preservation Studies) and holds degrees from Clark University and Brown University.

Nicole Franceschini has a BA in Cultural Heritage with a major in Near Eastern Archaeology and an MA in World Heritage Studies. She is currently working on her doctoral degree focusing on heritage values. Between 2017 and 2021 she was a lecturer in World Heritage and heritage management at the Chair of Heritage Management of BTU Cottbus-Senftenberg in Germany. She worked as a consultant to international organisations, public instructions and public companies working on World Heritage projects ranging from feasibility studies for World Heritage nominations to management plans for inscribed properties. She currently works as online activities and networking coordinator at the ICCROM-IUCN Worl Heritage Leadership programme and she is a curator of the PANORAMA Nature-Culture Thematic Community.

Dr Steve Brown is a lecturer in Heritage Studies at the University of Canberra, Australia. He is the author of Cultural Landscapes: A practical guide for park management (2010) and a co-editor of the forthcoming Routledge Handbook of Cultural Landscape Practice (2022). Steve is a past-President (2014-2017) of the ICOMOS/IFLA International Scientific Committee on Cultural Landscapes and a member of the IUCN-WCPA Specialist Groups on the Cultural and Spiritual Values of Protected Areas and on Protected Landscapes/Seascapes.. He is a Co-chair of the ISCCL Working Group on Naturecultures Integration, a Co-chair for the ICOMOS GA2023 Scientific Symposium, and project co-lead on ICOMOS-IUCN Connecting Practice Phase IV. He lives on a 60-hectare rural property managed for love … and conservation.

Keywords

natureculture, nature culture integration

Abstract // Résumé

The emergence of cultural landscapes concepts heralded important mindset shifts in heritage practices. These have underpinned development of landscape approaches that recognise larger-scale interactions and the relationships between natural and cultural elements and processes. However, it has become apparent that an enduring nature-culture binary in heritage practices can result in adverse outcomes ‘on the ground’.

The ISCCL has provided a forum and a source of global leadership for these issues, including the exploration of the implications of working with naturecultures to achieve conservation outcomes that are effective and inclusive. Naturecultures was coined by Donna Haraway in 2003 to recognise that natural and human environments, including non-human and more-than-human beings (such as spirits, creation ancestors, divinities) are intimately bound or entangled within different places. There is a now a growing desire to move beyond a curious consideration of the conceptual possibilities of naturecultures to implement its meanings in a wide array of everyday heritage management practices.

Physically separated by the global pandemic, we are a small group of natural and cultural heritage practitioners and ISCCL members who decided to step briefly away from our organisational and institutional affiliations to connect with each other, reflect on our experiences, and offer guidance to others. This presentation will be our first opportunity to communicate what we’ve been up to, and to share some thoughts that our journey together has afforded.

We argue that applying naturecultures in our practices is beneficial for people and places, and can support more effective conservation outcomes. Please join us to think further about these ideas.

Français :

L'émergence des concepts de paysages culturels a annoncé d'importants changements de mentalité dans les pratiques patrimoniales. Ceux-ci ont soutenu le développement d'approches paysagères qui reconnaissent les interactions à plus grande échelle et les relations entre les éléments et les processus naturels et culturels. Cependant, il est devenu évident qu'un binaire nature-culture durable dans les pratiques patrimoniales peut entraîner des résultats négatifs « sur le terrain ».

L'ISCCL a fourni un forum et une source de leadership mondial pour ces questions, y compris l'exploration des implications du travail avec les cultures de la nature pour obtenir des résultats de conservation efficaces et inclusifs. Naturecultures a été inventé par Donna Haraway en 2003 pour reconnaître que les environnements naturels et humains, y compris les êtres non humains et plus qu'humains (tels que les esprits, les ancêtres de la création, les divinités) sont intimement liés ou enchevêtrés dans différents endroits. Il y a maintenant un désir croissant d'aller au-delà d'une curieuse considération des possibilités conceptuelles des cultures de la nature pour mettre en œuvre ses significations dans un large éventail de pratiques quotidiennes de gestion du patrimoine.

Physiquement séparés par la pandémie mondiale, nous sommes un petit groupe de praticiens du patrimoine naturel et culturel et de membres de l'ISCCL qui ont décidé de s'éloigner brièvement de nos affiliations organisationnelles et institutionnelles pour se connecter les uns aux autres, réfléchir à nos expériences et offrir des conseils aux autres. Cette présentation sera notre première occasion de communiquer ce que nous avons fait et de partager quelques réflexions que notre voyage ensemble a permis.

Nous soutenons que l'application des cultures de la nature dans nos pratiques est bénéfique pour les personnes et les lieux, et peut favoriser des résultats de conservation plus efficaces. Veuillez vous joindre à nous pour approfondir ces idées.

Español:

La aparición de conceptos de paisajes culturales anunció importantes cambios de mentalidad en las prácticas patrimoniales. Estos han apuntalado el desarrollo de enfoques de paisaje que reconocen interacciones a mayor escala y las relaciones entre elementos y procesos naturales y culturales. Sin embargo, se ha hecho evidente que un binario duradero entre naturaleza y cultura en las prácticas patrimoniales puede dar lugar a resultados adversos "sobre el terreno".

El ISCCL ha proporcionado un foro y una fuente de liderazgo global para estos temas, incluida la exploración de las implicaciones de trabajar con las culturas de la naturaleza para lograr resultados de conservación que sean efectivos e inclusivos. Naturecultures fue acuñada por Donna Haraway en 2003 para reconocer que los entornos naturales y humanos, incluidos los seres no humanos y más que humanos (como espíritus, antepasados de la creación, divinidades) están íntimamente ligados o enredados en diferentes lugares. Existe ahora un creciente deseo de ir más allá de una consideración curiosa de las posibilidades conceptuales de las culturas de la naturaleza para implementar sus significados en una amplia gama de prácticas cotidianas de gestión del patrimonio.

Físicamente separados por la pandemia global, somos un pequeño grupo de practicantes del patrimonio natural y cultural y miembros de ISCCL que decidieron alejarse brevemente de nuestras afiliaciones organizacionales e institucionales para conectarnos unos con otros, reflexionar sobre nuestras experiencias y ofrecer orientación a los demás. Esta presentación será nuestra primera oportunidad para comunicar lo que hemos estado haciendo y compartir algunos pensamientos que nos ha brindado nuestro viaje juntos.

Argumentamos que la aplicación de las culturas de la naturaleza en nuestras prácticas es beneficiosa para las personas y los lugares, y puede respaldar resultados de conservación más efectivos. Únase a nosotros para pensar más en estas ideas.

Bibliographic References // Références Bibliographiques

Brown, J., Mitchell, N.J. and Beresford, M. (eds) 2005. The Protected Landscape Approach: linking nature, culture and community, Gland: IUCN.

Brown, J. 2015. Bringing Together Nature and Culture: integrating a landscape approach in protected areas policy and practice. In R. Gambino and A. Peano (eds) Nature Policies and Landscape Policies: towards an alliance. London: Springer. pp. 33-42.

Buckley, K. and Badman, T. 2014. Nature+Culture and World Heritage: Why It Matters. In C. Cameron and J. Hermann (eds), Exploring the Cultural Value of Nature: a World Heritage Context, Proceedings of Round Table held in Montreal, 12-24 March 2014. Montreal: Canada Research Chair on Built Heritage. pp. 105-121.

Haraway, D. 2003. The Companion Species Manifesto. Chicago: Prickly Paradigm Press.

Harmon, D. 2007. A Bridge over the Chasm: finidng ways to achieve integrated natural and cultural heritage conservation. International Journal of Heritage Studies 13 (4-5): 380-392.

ICOMOS and IUCN, 2010, 2014, 2016. Connecting Practice. Reports of Phases 1, 2 and 3. Paris and Gland.

Ishizawa, M., Inaba, N. and Yoshida, M. 2017. Building Capacities in Asia and the Pacific: The Experience of the UNESCO Chair on Nature– Culture Linkages at the University of Tsukuba, Japan. The George Wright Forum 34 (2): 154-167.

McIntyre-Tamwoy, S. and Badman, T. 2020. The CultureNature Journey from Honolulu, Hawaii, to Sydney, Australia: reaching agreement on what’s next? Historic Environment 32 (1): 70-87.

Mitchell, N., Brown, J. and Barrett, B. (eds) 2017. Thematic Issue on Nature-Culture Journeys: exploring shared terrain. The George Wright Forum 34 (2): 123-240.

PANORAMA Nature-Culture Solutions. https://panorama.solutions/en/portal/nature-culture

Verschuuren, B. and Brown, S. (eds) 2018 Cultural and Spiritual Significance of Nature in Protected Areas: governance, management, and policy. London: Routledge.

Recommended Citation

Buckley, Kristal, Leticia Leitao, Nora J. Mitchell, Maya Ishizawa, Jessica L. Brown, Nicole Franceschini and Steve H. Brown. 2021. Naturecultures guidance: steps in our journey, in Brabec, E., B. Adams, and H. Laleh (eds.), Looking Back Looking Forward: ISCCL 50th Anniversary Symposium, December 2 and 3, 2021, online. https://doi.org/10.7275/0c3q-9d71.

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Naturecultures guidance: steps in our journey

The emergence of cultural landscapes concepts heralded important mindset shifts in heritage practices. These have underpinned development of landscape approaches that recognise larger-scale interactions and the relationships between natural and cultural elements and processes. However, it has become apparent that an enduring nature-culture binary in heritage practices can result in adverse outcomes ‘on the ground’.

The ISCCL has provided a forum and a source of global leadership for these issues, including the exploration of the implications of working with naturecultures to achieve conservation outcomes that are effective and inclusive. Naturecultures was coined by Donna Haraway in 2003 to recognise that natural and human environments, including non-human and more-than-human beings (such as spirits, creation ancestors, divinities) are intimately bound or entangled within different places. There is a now a growing desire to move beyond a curious consideration of the conceptual possibilities of naturecultures to implement its meanings in a wide array of everyday heritage management practices.

Physically separated by the global pandemic, we are a small group of natural and cultural heritage practitioners and ISCCL members who decided to step briefly away from our organisational and institutional affiliations to connect with each other, reflect on our experiences, and offer guidance to others. This presentation will be our first opportunity to communicate what we’ve been up to, and to share some thoughts that our journey together has afforded.

We argue that applying naturecultures in our practices is beneficial for people and places, and can support more effective conservation outcomes. Please join us to think further about these ideas.

Français :

L'émergence des concepts de paysages culturels a annoncé d'importants changements de mentalité dans les pratiques patrimoniales. Ceux-ci ont soutenu le développement d'approches paysagères qui reconnaissent les interactions à plus grande échelle et les relations entre les éléments et les processus naturels et culturels. Cependant, il est devenu évident qu'un binaire nature-culture durable dans les pratiques patrimoniales peut entraîner des résultats négatifs « sur le terrain ».

L'ISCCL a fourni un forum et une source de leadership mondial pour ces questions, y compris l'exploration des implications du travail avec les cultures de la nature pour obtenir des résultats de conservation efficaces et inclusifs. Naturecultures a été inventé par Donna Haraway en 2003 pour reconnaître que les environnements naturels et humains, y compris les êtres non humains et plus qu'humains (tels que les esprits, les ancêtres de la création, les divinités) sont intimement liés ou enchevêtrés dans différents endroits. Il y a maintenant un désir croissant d'aller au-delà d'une curieuse considération des possibilités conceptuelles des cultures de la nature pour mettre en œuvre ses significations dans un large éventail de pratiques quotidiennes de gestion du patrimoine.

Physiquement séparés par la pandémie mondiale, nous sommes un petit groupe de praticiens du patrimoine naturel et culturel et de membres de l'ISCCL qui ont décidé de s'éloigner brièvement de nos affiliations organisationnelles et institutionnelles pour se connecter les uns aux autres, réfléchir à nos expériences et offrir des conseils aux autres. Cette présentation sera notre première occasion de communiquer ce que nous avons fait et de partager quelques réflexions que notre voyage ensemble a permis.

Nous soutenons que l'application des cultures de la nature dans nos pratiques est bénéfique pour les personnes et les lieux, et peut favoriser des résultats de conservation plus efficaces. Veuillez vous joindre à nous pour approfondir ces idées.

Español:

La aparición de conceptos de paisajes culturales anunció importantes cambios de mentalidad en las prácticas patrimoniales. Estos han apuntalado el desarrollo de enfoques de paisaje que reconocen interacciones a mayor escala y las relaciones entre elementos y procesos naturales y culturales. Sin embargo, se ha hecho evidente que un binario duradero entre naturaleza y cultura en las prácticas patrimoniales puede dar lugar a resultados adversos "sobre el terreno".

El ISCCL ha proporcionado un foro y una fuente de liderazgo global para estos temas, incluida la exploración de las implicaciones de trabajar con las culturas de la naturaleza para lograr resultados de conservación que sean efectivos e inclusivos. Naturecultures fue acuñada por Donna Haraway en 2003 para reconocer que los entornos naturales y humanos, incluidos los seres no humanos y más que humanos (como espíritus, antepasados de la creación, divinidades) están íntimamente ligados o enredados en diferentes lugares. Existe ahora un creciente deseo de ir más allá de una consideración curiosa de las posibilidades conceptuales de las culturas de la naturaleza para implementar sus significados en una amplia gama de prácticas cotidianas de gestión del patrimonio.

Físicamente separados por la pandemia global, somos un pequeño grupo de practicantes del patrimonio natural y cultural y miembros de ISCCL que decidieron alejarse brevemente de nuestras afiliaciones organizacionales e institucionales para conectarnos unos con otros, reflexionar sobre nuestras experiencias y ofrecer orientación a los demás. Esta presentación será nuestra primera oportunidad para comunicar lo que hemos estado haciendo y compartir algunos pensamientos que nos ha brindado nuestro viaje juntos.

Argumentamos que la aplicación de las culturas de la naturaleza en nuestras prácticas es beneficiosa para las personas y los lugares, y puede respaldar resultados de conservación más efectivos. Únase a nosotros para pensar más en estas ideas.

 

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