When we talk about Brutalism, we are generally talking about architecture. Is there such a thing as the Brutalist landscape? If so, what defines it, and who are its practitioners? How does the Brutalist landscape navigate the relationship between plantings, hardscape and public art? What is it designed to do, and for whom? If the Brutalist landscape exists as a category, was it successful? Is the history of its public reception different from the reception of Brutalist architecture? This presentation lays out notes towards a history of the Brutalist landscape, considering the work of Bertrand Goldberg, M. Paul Friedberg, Lawrence Halprin and I.M. Pei in this context.