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Abstract
My dissertation, “Framing Fanart,” broadly theorizes media fanart, a form of transformative work that is enormously popular, transnational and transcultural, and at its heart an engaged response to a piece of media. Through physical and digital archival research, discourse analysis, and qualitative research methods, I consider specific examples of how fanart functions within these different framings. This work is some of the first to consider fanart broadly as both a lens through which to view patterns of cultural production and a discrete artefact which merits serious consideration as artwork in its own right.
Type
Dissertation (Open Access)
Date
2024-02
Publisher
Degree
Advisors
License
Attribution-NonCommercial-ShareAlike 4.0 International
License
http://creativecommons.org/licenses/by-nc-sa/4.0/