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ORCID
https://orcid.org/0000-0001-8357-6029
Access Type
Open Access Thesis
Document Type
thesis
Degree Program
Architecture
Degree Type
Master of Architecture (M.Arch.)
Year Degree Awarded
2022
Month Degree Awarded
May
Abstract
Hip-Hop Culture emerged in the early 1970s from Black and Latinx youth living in the South Bronx. At the time, the Bronx was stereotyped as the nation’s iconic “ghetto”. However, as in many of the nation’s cities, the built environment that defined the Bronx was a product of ghettoization that marginalized African Americans through confinement and overcrowding of urban centers; exclusions from mortgage loans and home ownership; and the redistribution of resources.
Hip-Hop Culture allowed marginalized communities to reclaim the built environment through repurpose of space and found materials; it creates opportunities for self-sufficiency; and establishes a community around the ethos of peace, love and having fun that mitigated street violence.
As the research makes palpable the impact the built environment has had on Black and Latinx communities, my intent is to turn the table and illustrate how the defining elements of Hip-Hop Culture can influence a design rooted in equity and social justice through the proposal of a Hip-Hop Youth Center in Springfield, Massachusetts; a facility that supports underserved youth in their creative endeavors and entrepreneurship.
DOI
https://doi.org/10.7275/28853580
First Advisor
Erika H. Zekos
Second Advisor
Joseph B. Krupczynski
Recommended Citation
Goodrich, Micaela, "Architectural Activism Through Hip-Hop" (2022). Masters Theses. 1188.
https://doi.org/10.7275/28853580
https://scholarworks.umass.edu/masters_theses_2/1188