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ORCID
N/A
Access Type
Open Access Thesis
Document Type
thesis
Degree Program
Theater
Degree Type
Master of Fine Arts (M.F.A.)
Year Degree Awarded
2014
Month Degree Awarded
May
Abstract
French Canadian playwright Joseph Armand Leclaire (1888-1931) was very well known and respected in his time. Although he wrote over thirty plays, lyrics to several songs and an abundance of political poems, most of his work has been lost and Leclaire himself seems to have been forgotten. Several of his plays were produced at the time they were written, including his 1916 play La petite maîtresse de l'école (later published in 1929 as Le petit maître d'école), but none have been presented postumously nor have any been translated. This M. F. A. thesis presents the first ever translation and adpatation of Leclaire's play, titled in English as The Little Schoolmaster. The first half of the thesis provide historical context for the play's significance, as well as information about Armand Leclaire and the changes he made to his own work between the original 1916 version and the 1929 published version. The thesis then analyses the creative acts of translation and adaptation, proposing a new model of translation for a linguistically rich audience. Through this new model of translation-adaptation for a bilingual spectrum, the thesis concludes by demonstrating that dramaturgy can serve as a dynamic instrument for communities to engage in the exploration of bilingual and bicultural identity.
DOI
https://doi.org/10.7275/5415302
First Advisor
Megan Lewis
Recommended Citation
Bowie, Alison Jane, "We Are French. Et Anglais Nous Restons." (2014). Masters Theses. 4.
https://doi.org/10.7275/5415302
https://scholarworks.umass.edu/masters_theses_2/4
Included in
Cultural History Commons, Dramatic Literature, Criticism and Theory Commons, Fine Arts Commons, French and Francophone Literature Commons, Other Languages, Societies, and Cultures Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, Playwriting Commons, Race, Ethnicity and Post-Colonial Studies Commons, Theatre History Commons