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ORCID

https://orcid.org/0000-0001-6757-3960

Document Type

Open Access Thesis

Embargo Period

4-22-2020

Degree Program

Music

Degree Type

Master of Music (M.M.)

Year Degree Awarded

2020

Month Degree Awarded

May

Abstract

Liszt reception has largely suffered from lack of academic research. In 2011, Michael Saffle’s initiative detailing Franz Liszt’s influence on musicians around the world spearheaded the historicization of Liszt reception. In response to his efforts, this thesis provides the first detailed documentation of the Faust Symphony’s reception in the United States. Occupying a unique approach, focusing purely on United States reception, this thesis demonstrates United States music dissemination trends and contributes to efforts creating a more global picture of Liszt and his music. Above all, the documentation of conductors, performances, broadcastings, recordings, and requests proves Liszt’s symphonic work impacted larger audiences than previously acknowledged. This impact was lasting, especially in the United States. Analyses of early influential United States symphonic compositions demonstrate clear influence from Liszt’s Faust Symphony. These pieces created a foundation built upon by succeeding United States composers, producing a uniquely “American” sound through a Lisztian form. This reception recognizes Liszt as an influential symphonic composer, and in doing so, begs its audience to reassess preconceived histories describing the development of the United States symphonic tradition.

First Advisor

Erinn E. Knyt

Creative Commons License

Creative Commons Attribution 4.0 License
This work is licensed under a Creative Commons Attribution 4.0 License.

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Musicology Commons

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