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Theses from 2020

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The Reception of Liszt’s Faust Symphony in the United States, Chloe Danitz, Music

Theses from 2019

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Live to Play: Musical Labor, Branding, and the Percussive Marketplace, Alexander S. Beltran, Music

Theses from 2018

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Motion as Music: Hypermetrical Schemas in Eighteenth-Century Contredanses, Alison N. Stevens, Music

Theses from 2011

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The Form of the Preludes to Bach's Unaccompanied Cello Suites, Daniel E. Prindle, Music

Theses from 2009

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Issues Involved in the Acquisition of Atonal Aural Skills, Mark E. Wieske, Music