Susan JahodaKimberlee PerezJuana ValdesJoseph KrupcynskiQuezada, Vick2024-04-262024-04-262018-052018-0510.7275/12139311https://hdl.handle.net/20.500.14394/33701The following works are an exploration of the histories of colonization that Indigenous people experienced in North America and how the settler colonial phenomenon continues to exist in the contemporary United States. In this project I am placing “official” history alongside personal narrative in order to represent the overlooked experiences of those impacted by the colonial project in the southwest. Old English Modern Mestizaje acts to deconstruct the ideologies that create common sense notions of Mexico, Mexican American, Xicana/o/x and Mestizaje. With this project I am working to explore the impact of racism, sexism, homophobia, classism, capitalism and hetero patriarchy, as they affect the material realities of people whose lives are determined by their relationship to the border. Through the use of sculpture, experimental video, documentary photography, urban sculpture, earthenware, and performance this series means to draw our attention to the ways we uphold and reconstruct institutions of power. I am most compelled by the places where evidence of resistance and survival is made manifest. With Old English Modern Mestizaje my desire is to generate alternative empathies that open paths for a new consciousness.mestizaje settler colonialism consciousness xicana representationArts and HumanitiesthesisN/A