Baker, Christopherimmer, SonjaKaufmann, ReginaTrust, TorreyGodfrey, Tatiana A2024-04-262024-04-262021-05May202110.7275/22868967.0https://hdl.handle.net/20.500.14394/32708This thesis is an artefact documenting the process of adapting a late medieval painting of hell into a short horror film. The process of adapting the Three Mouths of Hell, housed within the Hours of Catherine of Cleves, serves as an experiment in applying a dramaturgical approach to medieval studies. The process of adaptation and production, informed by critical research about the Hours of Catherine of Cleves and its Three Mouths of Hell, yields new frameworks for understanding the history of Catherine of Cleves, her Book of Hours, and the Three Mouths of Hell.hellmouthdramaturgyadaptationbook of hoursmedievalActingAncient, Medieval, Renaissance and Baroque Art and ArchitectureFilm ProductionOther Theatre and Performance StudiesPerformance StudiesScreenwritingTheatre HistoryAdapting the Hellmouth in the Office of the Dead from the Hours of Catherine of Cleves: An Experiment in Using a Dramaturgical Approach to Medieval StudiesThesis (Open Access)https://orcid.org/0000-0002-6033-637X