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Dissertations from 2011

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Justifying the Margins: Marginal Culture, Hybridity and the Polish Challenge in Fontane's Effi Briest, Zorana Gluscevic

Dissertations from 2009

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“Obscene Fantasies”: Elfriede Jelinek’s Generic Perversions, Brenda L. Bethman

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The abject of my affection: "Heimosexuality" in German texts and films, Kyle E Frackman

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Der Wenderoman: Definition eines genres, Anne Hector

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Maternal drag: Identity, motherhood, and performativity in the works of Julia Franck, Alexandra Merley Hill

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Luthers Gebrauch von Modalpartikeln in seiner Uebersetzung der vier Evangelien, Judith Keyler-Mayer

Submissions from 2007

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Re -viewing the Holocaust through a new lens: Memory, language, and identity in the autobiographical texts of Cordelia Edvardson, Ruth Kluger, and Elizabeth Trahan, Lauren Levine Enzie

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Der text als soundtrack -der autor als DJ: Thomas Meineckes romane im fadenkreuz von postmoderne und postkolonialismus, Florence A Feiereisen

Submissions from 2006

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Der 20. Juli 1944 auf der Buhne, Susanne M Wagner

Submissions from 2005

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Demonizing esotericism: The treatment of spirituality and popular culture in the works of Gustav Meyrink, Amanda Charitina Boyd

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Bruder Eichmann and other relatives: Representations of Nazis on German *stages, Kerstin M Mueller

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Discourses of crisis in West German texts and films of the 1970s: A transnational psychogeography of gender, race and violence, Maria Stehle

Submissions from 2004

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Women who showed the way: Arbeiterinnen in DEFA feature film, 1946--1966, Jennifer L Good

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Bricolage as resistance: The lyrical, visual and performance art of Gabriele Stotzer, Beret L Norman

Submissions from 2003

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"Wohin schwankt ihr noch eh' der Atem schwand?": Untersuchungen zur deutschsprachigen Lyrik aus Theresienstadt (1941--1945), Sandra Alfers

Submissions from 2001

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"Rilke und kein Ende": Zur Rilke-Rezeption in Schweden von 1904 bis in die 1960er Jahre, Birgitta Fryksen

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Schiller's moral -philosophical concept of rebellion prior to 1789 applied to his reactions to the French Revolution, Jeffrey Louis High

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Theater im Medienzeitalter: Das postdramatische Theater von Elfriede Jelinek und Heiner Muller, Dagmar Jaeger

Submissions from 2000

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afro look: Die Geschichte einer Zeitschrift von schwarzen Deutschen, Francine Jobatey

Submissions from 1998

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Marlene Streeruwitz: Eine kritische Einfuhrung in das dramatische Werk unter besonderer Berucksichtigung von Gewalt und Humor, Nele Hempel

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"...Dein und mein Gedachtnis ein Weltall": A metahistorical avenue into Marie-Therese Kerschbaumer's literary world of women, William B Kirby

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Offizier und Amazone: Frauen in Mannerkleidung in der deutschen Literatur um 1800, Elisabeth Krimmer

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Female pioneers and social mothers: Novels by female authors in the Weimar Republic and the construction of the New Woman, Stefana Lee Lefko

Submissions from 1997

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Georg B"uchners evangelischer Religionsunterricht, Darmstadt, 1821--1831: Christlich -protestantische wurzeln sozialrevolution"aren Engagements, Wendy Zlata Owanisian-Wagner

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The political aesthetic of Elfriede Jelinek's early plays, Shanta Rao

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Evas Erbe: Mythenrevision und weibliche Sch"opfung in der Lyrik Rose Ausl"anders, Kristina Von Held

Submissions from 1996

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Mechthild von Magdeburg's vocabulary of the senses, Marilyn W Webster

Submissions from 1995

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Private matters made public: Love and the sexualized body in Karoline von G"underrode's texts, Karin Obermeier

Submissions from 1993

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Goethe's scientific language in prose and poetry, Peter David Luborsky

Submissions from 1985

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TIECK'S 'MARCHEN' AND THE ENLIGHTENMENT: THE INFLUENCE OF WIELAND AND MUSAUS (ROMANTICISM, FAIRY TALE (GERMAN)), SUSAN STICKNEY-BAILEY

Submissions from 1979

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A CRITICAL ANALYSIS OF THE TEXTUAL CONTAMINATION OF THE DRESDEN MANUSCRIPT M.67 OF THOMASIN VON ZERCLAERE'S "DER WELSCHE GAST": ITS GENESIS AND SIGNIFICANCE., JUDITH ARLENE DESPAIN DAVIDSON