Theses from 2012
"A Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella, Corinne M. Salada
Theses from 2011
The Form of the Preludes to Bach's Unaccompanied Cello Suites, Daniel E. Prindle
Theses from 2010
The affective properties of keys in instrumental music from the late nineteenth and early twentieth centuries, Maho A. Ishiguro
A History of Opera in Boston, John R. Tedesco
Intonation in the Aural-Skills Classroom, Carolyn A. Walker
Theses from 2009
Issues Involved in the Acquisition of Atonal Aural Skills, Mark E. Wieske
Theses from 2008
Ficino's Musica Humana: Musico-Astrological Improvisation, Greg A. Clauss
FRANZ LISZT'S SETTINGS OF “WAS LIEBE SEI?”: A SCHENKERIAN PERSPECTIVE, Michael Vitalino
Theses from 2007
The Role of Organicism in the Original and Revised Versions of Brahms's Piano Trio in B Major, Op. 8, Mvt. I: A Comparison by Means of Grundgestalt Analysis, Jessica L. Embry