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Abstract
Free Jazz/ Black Power was written by French journalists Philippe Carles and Jean-Louis Comolli, and published in 1971 in France. It offers a post-colonialist Marxist critique of African American free jazz of the 1960s and presents the argument that the existence of free jazz and its musical characteristics are a result of the long history of oppression that African Americans have faced in the United States. The present work presents the first English language translation of the Introduction and Part III of the book. The introduction to the translation looks at the history of jazz in France and particularly the French critical response to free jazz in the 1960s. The translation of the Introduction and Part III of Free Jazz/ Black Power immediately follows an extended essay on linguistic, historical, and cultural problems encountered in the process of translation.
Type
campus
thesis
thesis
Date
2013-05