Publication:
MOVING AGAINST CLOTHESPINS:THE POLI(POE)TICS OF EMBODIMENT IN THE POETRY OF MIRIAM ALVES AND AUDRE LORDE

dc.contributor.advisorJames E. Smethurst
dc.contributor.authorSantos de Araújo, Flávia
dc.contributor.departmentUniversity of Massachusetts Amherst
dc.date2023-09-23T17:28:13.000
dc.date.accessioned2024-04-26T16:18:55Z
dc.date.available2024-04-26T16:18:55Z
dc.date.submittedMay
dc.date.submitted2017
dc.description.abstractThis dissertation examines literary representations of the black female body in selected poetry by U.S. African American writer Audre Lorde and Afro-Brazilian writer Miriam Alves, focusing on how their literary projects construct and defy notions of black womanhood and black female sexualities in dialogue with national narratives and contexts. Within an historical, intersectional and transnational theoretical framework, this study analyses how the racial, gender and sexual politics of representation are articulated and negotiated within and outside the political and literary movements in the U.S. and Brazil in the 1970s and 1980s. As a theoretical framework, this research elaborates and uses the concept of “poli(poe)tics of embodiment”: a multi-layered artistic endeavor interwoven with the body politics Afro-diasporic women artists articulate and negotiate vis-à-vis the cultural, historical, and political communities in which they exist. A significant contribution of this study to the field of Afro-diasporic literary studies is, therefore, to historicize black women’s writings, examining their politics/poetics as interlaced threads of their literary production, as well as the writers’ trajectories as artists, intellectuals, and activists. In addition, this research aims at unraveling the socio-historical implications of Lorde’s and Alves’ literary representations in re-configuring essentialist, nationalist, and heteronormative perceptions of the black female body. The close reading of their poetry – supported by a discussion of their theoretical work, archival research, and interviews – pays attention to three dimensions of these artists’ poetic (re)constructions of the black female body: first, the black female “self” in re-imagined configurations against histories of fragmentation and violation; second, alternative iconographies of the black female sexuality against discourses of sexual/racial manipulation; and finally, the black female body as historical agent moving against narratives of objectification. This analysis suggests that Lorde’s and Alves’ writings promote multiple and polyphonic representations of the black female body within a historical continuum of black women artistic production across the diasporic space in the Americas.
dc.description.degreeDoctor of Philosophy (PhD)
dc.description.departmentAfro-American Studies
dc.identifier.doihttps://doi.org/10.7275/9921533.0
dc.identifier.orcidN/A
dc.identifier.urihttps://hdl.handle.net/20.500.14394/20191
dc.relation.urlhttps://scholarworks.umass.edu/cgi/viewcontent.cgi?article=1970&context=dissertations_2&unstamped=1
dc.source.statuspublished
dc.subjectAudre Lorde
dc.subjectMiriam Alves
dc.subjectAfro-American Literature
dc.subjectAfro-Brazilian Literature
dc.subjectblack female body
dc.subjectAfrican American Studies
dc.subjectAmerican Literature
dc.subjectComparative Literature
dc.subjectCultural History
dc.subjectFeminist, Gender, and Sexuality Studies
dc.subjectIntellectual History
dc.subjectLatin American History
dc.subjectLatin American Languages and Societies
dc.subjectLatin American Literature
dc.subjectLiterature in English, North America, Ethnic and Cultural Minority
dc.subjectPoetry
dc.subjectUnited States History
dc.subjectWomen's History
dc.titleMOVING AGAINST CLOTHESPINS:THE POLI(POE)TICS OF EMBODIMENT IN THE POETRY OF MIRIAM ALVES AND AUDRE LORDE
dc.typeopenaccess
dc.typearticle
dc.typedissertation
digcom.contributor.authorisAuthorOfPublication|email:faraujo@afroam.umass.edu|institution:University of Massachusetts Amherst|Santos de Araújo, Flávia
digcom.identifierdissertations_2/924
digcom.identifier.contextkey9921533
digcom.identifier.submissionpathdissertations_2/924
dspace.entity.typePublication
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