Publication:
Humanizing Brutalism: Graphics to Identify, Inform, Orient, Interpret and Inspire

dc.contributor.authorPerkins, Whitney
dc.coverage.locationUMass Dartmouth
dc.coverage.temporal2021-10-22T15:30:00-07:00
dc.coverage.temporal2021-10-22T14:30:00-07:00
dc.date2023-09-24T09:08:56.000
dc.date.accessioned2024-04-26T22:01:36Z
dc.date.available2024-04-26T22:01:36Z
dc.date.issued2021-10-22
dc.description.abstractDespite the reputation of Brutalist architecture being somewhat cold and imposing, the original interiors of these buildings were often covered in brightly-colored signage. In the process of renovating Paul Rudolph's Claire T. Carney Library at the University of Massachusetts Dartmouth, designer Whitney Perkins drew upon the colors and graphics of the 1960s and 70s in order to construct a bold program of wayfinding, signage and tapestries for the building. This talk looks at some of the influences and processes involved in designing and fabricating this signage.
dc.identifier.doihttps://doi.org/10.7275/a2a9-mj43
dc.identifier.urihttps://hdl.handle.net/20.500.14394/49856
dc.relationwww.umassbrut.org
dc.relation.urlhttps://scholarworks.umass.edu/cgi/viewcontent.cgi?article=1012&context=umassbrut_community&unstamped=1
dc.source.statuspublished
dc.subjectArchitecture
dc.subjectArt and Design
dc.subjectGraphic Design
dc.subjectHistoric Preservation and Conservation
dc.subjectIllustration
dc.subjectIndustrial and Product Design
dc.subjectInterior Design
dc.subjectOther Architecture
dc.titleHumanizing Brutalism: Graphics to Identify, Inform, Orient, Interpret and Inspire
dc.typeevent
dc.typeevent
digcom.contributor.authorisAuthorOfPublication|email:wperkins@rollbarresi.com|Perkins, Whitney
digcom.identifierumassbrut_community
digcom.identifier.contextkey30883877
digcom.identifier.submissionpathumassbrut_community/2021symposium/day_1/8
dspace.entity.typePublication
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