In an effort to process my grief associated with the death of my grandmother, I created a series of drawings, documenting my daily life in Massachusetts. This body of work constitutes my thesis. In total, I made one thousand and sixty one drawings, each undergoing a series of identical, repeated processes, which represent the number of days lived there. The simplicity, detail and sheer volume of drawings in the installation chronicles a relatable story through complex means. Creating the drawings was a methodical act of remembrance, the practice allowing quiet reflection on each day and its respective history. This body of work inhabits and portrays a space between experience and memory. It was a cathartic, private practice, which permits viewers only to witness the outcome, the installation; the legacy of time spent. Creating the work was a meditative, tactile way of both marking and processing time; time spent mourning the loss of my grandmother, accessing memories, and healing.