This written portion of my thesis is aimed at documenting how I, the director, as both interpretive and generative artist, took William Shakespeare’s Twelfth Night from the page to the stage through ongoing collaboration with a team of artists including designers, a composer, and actors. My documentation includes the generation of my theatrical production concept and staging of Shakespeare’s play. In order to place my production of Twelfth Night in cultural, historical, and artistic contexts, I open my discussion to theoretical considerations and artistic practices, address my specific artistic decisions in the creation of this production, examine the particular problems encountered in the making of this work, and reconstruct the creative process itself.